While some elements of the film are undoubtedly dated (particularly the unfortunate use of yellowface), this movie had its heart in the right place and is remarkably progressive for 1919 in that it asks the audience to tolerate other cultures and view the Other as a human being worthy of compassion. I have a soft spot for the movie, as it was my introduction to silent cinema when I was 15. Lillian Gish and Richard Barthelmess are heartbreaking. The mise en scene is lovely, as is the moody, evocative lighting.

Such a tender, tragic story. Though difficult, I blocked out the distasteful racial slurs, and pitied the ignorance of the period, cutting through that small minded bullsh*t to the gentle, textured marrow of a truly sweet love story, unfortunately mired in paralyzing fear. Lillian Gish was sublime. Joseph Turrin's score was very well done. I didn't know what to expect from Griffith. He showcased some heavy issues here: racism and interracial taboos; alcoholism and domestic abuse (boozing and bruising)... He was ahead of his time. I'm left with a memorable experience. FIVE STARS.